As you drive down W. Davis Street in the heart of South Dallas, a field of sunflowers is the last thing you’d expect to see tucked among the single-story brick buildings, just blocks from the thriving Bishop Arts District. The fact that it’s so out of place in its surroundings is part of what makes this display of farming as public art so charming.
The project is a collaboration of the agricultural and artistic expertise of art dealer Cynthia Mulcahy and artist Robert Hamilton, who run Mulcahy Farms. They began looking for a site over a year ago, and chose the 1.6 acre plot in Oak Cliff for its location and visibility. The land was cleared and prepared for planting in March. Seventeen hundred and sixty Aztec Gold sunflower seeds went into the ground in a grid pattern under an ominous sky on a North Texas spring day. Days passed, and farming as art became entertainment as area residents and passerby took notice and began to express interest. Police, firemen, and bus drivers now honk in approval as they pass through their daily routes. “It really is like street theater,” notes Hamilton. “The traffic slows down.”
Jump for more. (more…)
Forgive me, forgive me. I am four days late with this news that I have known about for awhile. One of our SideDish photographers, Desiree Espada, is one of 10 recipients selected for the Dallas Museum of Art’s 2012 Awards to Artists. You have seen her work all over our blog (like here and here), but outside of SideDish, she also does some amazing collaborative work with her friend Kasumi Chow. The DMA recently announced on its website the winners, and the Observer picked up the story including some quotes from Desiree. I just have to share because I know Desiree is too humble to make a big deal out of this, but Nancy and I couldn’t be more proud!
Yesterday, I visited a food market near the beach at Ipanema in Rio de Janeiro. I spent long time at the stall in the picture to watch the owner make his own hot sauce by mixing various peppers with vinaigrette and herbs. Besides peppers, dried herbs, and sauces, he displayed several medicinal nuts. I don’t speak Portuguese, and it was difficult to understand the passionate descriptions of the two ingredients in the picture below the jump. Do you recognize them? (more…)
SideDish photographer Desiree Espada roams the roads with her camera looking for good things to eat and shoot. Check out her photo essay of Bolsa Mercado. Then feast your eyes on what to expect when the Jerry Garcia of donut making, James St. Peter, opens Hypnotic Donuts on Sunday, January 29.
Glory be to the donut. (more…)
Last night, Amy Severson couldn’t sleep. She turned on the light, grabbed a pen and paper, and started doodling.
First, a few things to disclose. I talked to Dean Fearing’s about this endeavor because my memory isn’t what it used to be. Second, when you see “Sfuzzi,” it refers to the original, not the current (for the youngsters in the audience). Third, I know there are bound to be errors, too bad. This was the best I could do at 3:30 in the morning. Fourth, I have tried to update locations, but some are questionable, thus the “?”
Remember this chart is the first draft of a larger project. Looking forward to adding more names and connections.
Here is a preview of some of the hip new t-shirts carnival workers will be wearing when the Texas State Fair opens on Friday. They were designed by the Belmont Icehouse in Deep Ellum. They will be available for purchase.
Not the first question that pops to mind in a museum. Indeed, there seems to be a dearth of consumable art out there these days (unless you count these guys or this). But I digress.
On Thursday, Sept. 22, from 7 to 10 pm, Jennifer Rubell’s Made in Texas exhibit at Dallas Contemporary will be: “…a participatory artwork involving Texas cuisine that is a hybrid of performance art, installation, and happening. Rubell’s large-scale, sensually arresting pieces often employ food and drink as media. Past works have included one ton of ribs with honey dripping on them from the ceiling,; 2,700 hard-boiled eggs with a pile of latex gloves nearby to pick them up; 1,521 doughnuts hanging on a free-standing wall; and a room-sized cell padded with 1,800 cones of pink cotton candy.
Made in Texas will make visible to human labor that is most often hidden inside the kitchens, factories, and warehouses of Texas business. One each of the seven large platforms, a living scene taken directly from a factory, workshop, or enterprise in the Dallas and Fort Worth area—including actual equipment, workers, materials, and ingredients—will be reenacted, from assembling tamales to pressing table linnens. The final product of this labor will be given to participants to eat, use, and consider.”
Fascinating.
Tickets are $100 for members or $200 for non-members.
Someone who is not a member can either pay $200 for a nonmember ticket or a total of $160 for a membership and a member ticket. A nonmember couple could either pay $400 for two nonmember tickets or a total of $300 for a couple’s membership and two member tickets.